“A Brighter Summer Day for The Lady Avengers.” MAI Feminism & Visual Culture, special issue, Doing Women’s (Global) (Horror) Film History, spring 2024. 

​

“Conclusion: The Limits of Affect Theories.” Contributing author. In Aaron Kerner, Abject Pleasures in the Cinematic: The Beautiful, Sexual Arousal, and Laughter, Edinburgh University Press, 2023.

​

“Mikhail Bakhtin in the Land of Ooo: The Carnivalesque, Heteroglossia, and the Fun That Never Ends.” Co-authored with Aaron Kerner. In Analyzing Adventure Time: Critical Essays on Cartoon Network's World of Ooo. Jefferson, NC: McFarland and Company, 2023.

​

“All the Colors of Lady Avengers: Giallo, Pinku Eiga and ‘Taiwan Pulp Films’ in Taiwan’s Martial Law Period (1949-1987).” Video Essay. Society for Cinema and Media Studies, Annual Conference, 2022.

​

“Reading Danmaku (弾幕) Through the Bakhtinian Lens: Heteroglossia, Carnivalesque Laughter, and Grotesque Realism.” Cinema Studies 23nd Annual Grad Conference, San Francisco State University, Feb. 18, 2022.

​

“All the Colors of Lady Avengers.” cinemedia 5, June 4, 2021. https://cinemedia.media/colors-lady-avengers/.

​

“Jamming with Cultures in the Spectacle.” Mediating Democracy, Cinema Studies 22nd Annual Grad Conference, San Francisco State University Online Conference, Feb. 11, 2021.

 

“Allure and Dissonance: Interracial Lust and ‘Problematic’ Pleasure.” cinemedia 4, June 4, 2020. https://cinemedia.media/allure-and-dissonance/.